"Edo Kiriko" glass products express their beauty by having craftsmen intricately carve lines into their surfaces. These are called "mon'yo" (patterns) and are an essential element of cut glass. To this day, they have been continuously passed down by the hands of craftsmen.

Patterns are expressed by repeating the same motifs or combining different ones. There are styles unique to each workshop and craftsman, and it is said that some craftsmen can be identified just by looking at their work.

Here, we will introduce some representative patterns from among the many.

 

Kiku Tsunagi (Chrysanthemum Connection)

This pattern is created by combining vertical, horizontal, and diagonal lines, connecting them to form a continuous design. It was named "Kiku Tsunagi" because the intricate intersection of the cuts resembles chrysanthemum flowers, which symbolize "longevity." Since "Kiku" can also be written as "喜久" (joy and longevity), it also means that joy will last for a long time.

 

Hakkaku Kagome (Octagonal Basket Weave)

The "Kagome" (basket weave) lattice pattern, inspired by the mesh of a bamboo basket, is one of the most representative patterns of Edo Kiriko. Among them, "Hakkaku Kagome" (octagonal basket weave) is a popular pattern. The cuts, which spread out in eight directions, create a beautiful, light-filled effect. On the other hand, the cuts require high precision, showcasing the craftsman's skill. Incidentally, "Kagome" is also said to have the meaning of warding off evil.

 

Yarai (Arrow Fence)

This is the most basic pattern in Edo Kiriko. Diagonal lines are cut at equal intervals. There are various theories about its origin, such as "yarai," a fence made of crossed bamboo or logs, or the appearance of arrows flying. From the sound of "yarai," meaning "to prevent entry," and the idea that arrows "shoot down evil," it can also signify warding off evil spirits or protection against misfortune.

 

Kikko (Tortoiseshell)

The "Kikko" pattern, also known as "Kikko Tsunagi," involves a continuous series of circular cuts. Its origin is the tortoise shell. In Japan, tortoises have long been considered auspicious symbols of longevity, as expressed in the saying, "Cranes live for a thousand years, tortoises for ten thousand years." Since ancient times, it has been cherished as an auspicious "kissho mon'yo" (lucky charm pattern) and widely used on kimono, obi sashes, pottery, and more.

 

Shippo (Seven Treasures)

This pattern consists of circles or ellipses of the same size overlapping by a quarter. When these are arranged regularly in all four directions, it is called "Shippo Tsunagi." Its origin comes from Buddhist terminology. In Buddhism, human connections are considered to have the same value as the seven treasures (gold, silver, crystal, lapis lazuli, agate, coral, and clam shell). Also, the circle (縁 - en, meaning connection or縁 - en, meaning circle) leads to harmony. It is also said to mean valuing harmony among people. Furthermore, the name "Shippo" (meaning "four directions") sometimes carries the meaning of wishing for expansion and prosperity of descendants, as this pattern extends in all four directions.

 

How did you like them? The unique patterns are a major charm of Kiriko. We will introduce other patterns on another occasion.

Edo Kiriko Representative Patterns Vol. 2 here

※This article was written in 2021.